CHANTREY
(Sir Francis Legatt, 1781-1841, Sculptor)
Autograph Letter Signed to an unnamed correspondent,
inviting him to "Breakfast with me on Saturday ... if you can do so have the goodness to send a note to Mr Rodgers & he will meet you ...", 2 sides 8vo., Belgrave Square, 3rd February
Item Date:
1841
Stock No:
22233
£65
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CHANTREY
(Sir Francis Legatt, 1781-1841, Sculptor)
Autograph Letter Signed to 'My Dear Sir',
saying "Your wish respecting the Casts of your Brothers Bust shall be attended to the moment Mr Jones ... is well enough ... but we are all sadly out of joint I have scarcely a man that can be considered well - several seriously ill & one beyond all hope of recovery. Your carriage will be the best conveyance for the cast intended for yourself ... any day ... after Monday next", with a P.S. dated 21st January, "The man alluded to ... is dead. This is the 2nd since Xmas & now I have another in great danger", 2 sides 8vo., Belgravia Place, 19th January
Item Date:
1837
Stock No:
54704
£75
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CHANTREY ON HIS EQUESTRIAN STATUE OF WELLINGTON
CHANTREY
(Sir Francis Legatt, 1781-1841, Sculptor)
Pair of Autograph Letters Signed to Thomas SPRING RICE
(1790-1866, Chancellor of the Exchequer, 1835-1839, from 1839 1st Baron Monteagle), saying he "shall be happy to wait upon you" with "a statement of the Gun Metal" and to ask how he may reply "to the City of London Wellington Committee" (28th November 1838, endorsed "C of E saw party 29/11/38"), in the second he explains that he "refrained from acknowledging the donation of fifteen hundred & twenty pounds worth of Gun Metal for the City of London Wellington Statue" till he had met and told "the acting committee ... not only the amount of the gift, but the very ready and handsome manner in which it had been made", at "the Mansion House yesterday ... all were at a loss in what manner it would be most agreeable to you they should reply to the generosity of the Government", so Chantrey is asking whether a letter of thanks to Spring Rice as Chancellor of the Exchequer "would be a fitting manner of acknowledging ... the substantial way in which their efforts have been assisted by Her Majesty's Ministers", 1 side 8vo and 1 side 4to, Belgrave Place & Eccleston Street, London, 28th November - 26th January
Item Date:
1839
Stock No:
56564
£375
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CHANTREY
(Sir Francis Legatt, 1781-1841, Sculptor)
Autograph Letter Signed to Christopher Jeffrey
a merchant in Peterborough telling him that his "bottle of Curacao is received - tasted and highly approved. It is excellent. Lime is sold in London in quantities called a Hundred - which quantity is equal to 18 bushels, therefore all the calculations have been made upon the quantity called a Hundred. Lime made from chalk. In my old form of Kiln 1 Chaldron or stone coal of Culm price 28/- burnt a Hundred of lime at the cost of 3/6 per Hd for fuel. Small coal (called Bean coal) was found to be rather cheaper producing more lime in proportion to its price which was 17/- per Chaldron when Culm cost 28/- but at this moment I don't remember the exact quantity produced by one chaldron of this small coal. In the first place, and before I say anything in favor of the present kilns I wish you to make such experiments as will enable to tell me at what cost for fuel you now burn one hundred or 18 bushels ... I will then give you further information - such as I hope may be useful & at any rate repay you for the Curacao. No matter what price you pay for fuel or what kind it may be - make your calculations upon the prices which I have given ... the prices of fuel & quantities of lime produced as stated above are taken from the kilns which Mr Whitbread used in the year 1828 before I had anything to do with - or knew anything of Lime ... burning & if I can do half a must for you I shall be happy ...", 2 sides 4to., with original autograph address leaf and seal, with pencil calculations in another hand on the blank leaf, no place, 10th December
Item Date:
1833
Stock No:
40383
£225
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[CHARDIN
(Jean-Baptiste Siméon, 1699-1799, French Painter)]
Fine Engraving of 'La Gouvernante' ('the Governess')
reversed from his original oil painting of 1738, (now at the National Gallery, Ottawa, there is also an apparently autograph replica at Tatton Park), showing her seated full length in profile, her work basket by her side, breaking off from brushing the tricorne of the young son of the house and apparently gently remonstrating with him, he holds a parcel of books under his right arm but lying on the floor are his shuttlecock, racquet and playing cards, 12½" x 9¾" in margins 20¾" x 15½" on fine paper, this engraving no place, no date, 18th - 19th century
Item Date:
0
Stock No:
56269
£225
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