WINGATE
(Sir James Lawton, 1846-1924, Landscape Painter, P.R.S.A.)
Original Pencil sketch signed, titled
'Spring Time' and dated, showing sheep grazing with a background of trees and hayricks, 8" x 6", no place,
laid down
Item Date:
1882
Stock No:
11219
£125
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WOLFF
(Emilius, Sculptor)
Autograph note signed
saying that "Among the few letters which I preserve" are ones from his uncle and master G. Schadow, "The celebrated sculptor and Director of the Academy of Berlin, author of a most egregious work on human proportion under the title 'Polyklet' " and one from Mr. Ranck "a contemporanean of Canova and Thorwaldsen and author of the celebrated monument of Frederic II at Berlin", 1 side oblong 8vo., 152 Quattro Fontane, Rome, 16th April
laid down by corners
Item Date:
1864
Stock No:
13529
£20
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WOOD
(John, 1801-1870, Painter and Sculptor)
Group of large autograph leaves of reminiscences and reflections, unsigned,
and apparently unpublished, in his fine hand, including a striking and accomplished pencil drawing, 'Sir Francis Chantrey's visit to see my Model' (of 'Adam and Eve lamenting over the dead body of Abel', exhibited in 1823), together 12 sides on 10 sheets18" x 13¾", loose in a contemporary portfolio, no place, no date but watermark
Item Date:
1840
Stock No:
51782
£1750
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WOOLNER
(Thomas, 1825-1892, Pre-Raphaelite Sculptor)
Fine Autograph Letter Signed to an unnamed correspondent
thanking him for “the papers and poem. Should the project ever take a definite form, a Committee established &c, I shall of course feel highly honoured in discussing the subject, and treatment of the Jubilee proposal. Many thanks for your kind wishes - my family are all very well...”, 1 side 8vo, 29 Welbeck St, 22nd January
Item Date:
1887
Stock No:
42576
£145
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“I SHOULD PREFER GIVING UP ART ALTOGETHER; FOR I AM SICK OF FACES, FACES, FACES...”
WOOLNER
(Thomas, 1825-1892, Pre-Raphaelite Sculptor)
Fine Autograph Letter Signed, marked “Private, Read this over your pipe” to “My dear Agnew”
telling him that “the Baron Grant called on me a day or two back and told me that he had bought your bronze group, and I pleased him very much by showing him an old engraving of it done in 1756. I called to show it to you but you were about to wing your way Northwards. The Baron called to give me a commission for a bust for a public place - How tired I am growing of busts it is impossible for me to describe! I have had so many years drudgery at them, I feel, without egotism, that I am now fairly entitled to do something better, and you are The person to whom I naturally turn to help me out of The Slough of Despond. If I could never do any poetic work, and had no chance of doing anything but portraiture, I should prefer giving up Art altogether, for I am sick of faces, faces, face, and not always the most beautiful! The admiration which you expressed for my ‘Virgilia’ with the commissions for ‘Elaine’ and ‘Ophelia’ encourage me to hope you will do what you can to help me towards this ‘consummation devoutly to be wished’. You may in the transaction of your business help me in two ways, by buying my pictures, and helping me to sell my poetical works. With the exception of some sketches and old pictures that would be of no use to you I am willing to sell the whole collection; - what do you say?... Of course my object is to get a sum to invest that I may have something to rely on while I do poetical work and to enable me to refuse portraits, except an important one occasionally...”, 4 sides 8vo, 29 Welbeck Street, 18th January
Item Date:
1874
Stock No:
43099
£375
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